KELIM ENLIGHTENMENT: "Know that, before the emanations were issued and the creatures were created, the simple Superior Light filled the whole existence. There was no free place, neither air nor empty space, but everything was full of that simple infinite Light. There was no distinction, neither a beginning nor an end, but everything was a single simple Light, equal to a single equality and it is the one that is called Or-Ein Sof. The vacuum of air and space generated by self-limitation of Ein Sof was surrounded by ten circles called "pots" (kelim) that identified with the ten Sefirot, corresponding in this case to the various levels of reality present in the Creation, but the Superior Light not abandoning completely empty space. In the 16th Century, Rabbi Issac Luria wrote: 'And then arose from the Light of Ein Sof a single line from top to bottom, which is held down inside that space [empty]. And through that line reworked, created, formed and did all the World' 

Today, science has discovered how to turn light into matter and vice versa: according to modern theory, the universe might have formed from particles of light called photons. The line of light across all ten "containers" (as described by the sound) surrounded the void, but some of them could not contain it, so they broke (as the broken cymbals that assemble the sounding sculpture I created to play the music) by causing the so-called haKelim Shevirat, a cosmic catastrophe that caused the onset of Chaos in the Universe. The KELIM ENLIGHTENMENT (End And Over Concerto) is the last track of PAiSTe Concerto. It turns around the meaning of creation from the concept of a vacuum, metaphorically present even in death, as a moment that generates new life. If art is life, it can also die to create a new artistic cycle. Only after the acceptance of the void as an indispensable element of creation, and death as a necessary outcome of all, life can continue into the future. This way the artist becomes a sort of spiritual warrior, in order to re-establish the consciousness of the world. The artist knows well how to use what is apparently useless or unusable, to rediscover emptiness as something essential for creation and the acquisition of knowledge of being. All the materials employed had already been used previously. They were destined to become trash. This way, an object that was supposed to never be used again, was given a new "life".